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Access to Prism is through Avolites’ new, more powerful AvoKey Collection & Travel Collection, with three versions of each - A1+, A2+, A3+, T1+, T2+ & T3 Bundle – available depending on the number of channels or display outputs needed.
When running Prism, A1+ & T1+ will unlock one display output, A2+ & T2+ will unlock two, and A3+ & T3 Bundle will unlock three. By the end of this year, DMX Pixels will also be supported: up to 1,024 (A1+ & T1+), 2,048 (A2+ & T2+) and 4,096 (A3+ & T3 Bundle). Pixels can be between one and four DMX channels, giving you a range from simple intensity through to full RGBW.
Prism is ideal for any project where lighting and media need to work together seamlessly, or for simple media control to deliver high-impact visuals.
Whether it’s live shows, touring rigs, venues, clubs, or installations, Prism provides a straightforward way to both pre-programme and busk media. It sits comfortably alongside Titan lighting workflows, but also works as a standalone video control platform.
Prism is also a practical option when video, screens or pixel-mapped fixtures need to run independently or be managed, updated or repeated consistently, such as theatres, museums, galleries and attractions.
Straightforward media workflow for lighting professionals that is visual, logical and approachable.
Integrates with Titan through Synergy, bringing media control into a connected Avolites environment.
Adjusts pixel maps to work better with lighting, for a simple way to smooth motion, correct colour and shape media feeds.
Makes timecoded media easier to organise, giving users a clear trigger list for managing cues and syncing with lighting.
Keeps media organised and ready for the show, helping users stay in control when files move, clips are changed, or a show is moved between systems, with broad format support including HAP, NotchLC and DXV, AiM encoding and 10-bit colour support.
Adapts media to different screen layouts, giving a practical way to build and transfer media across screens, outputs and fixtures
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