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DPA Headset and Earset Microphones
DPA 6066 headset microphone
DPA 4066 Headset microphone
DPA 4166 4266 headset microphone
DPA 4488 headset microphone
DPA 4066 Headset microphone
DPA 4166 4266 headset microphone
DPA 4488 headset microphone

DPA Headset and Earset Microphones

Key Features:

  • Available as Omni & Directional Headsets and as kits.
  • Ideal for Public Speakers, Broadcast Professionals, Actors, Singers & Musicians.
  • Amazing Sound & Flexibility, available in various configurations.
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Enquiry Form

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+44 (0)113 255 7666

DPA Headset and Earset Microphones

DPA headworn microphones, whether on one ear – earset – or two ears – headset, are popular because of their ease of use, amazing sound and flexibility. Once placed on the performer, the microphone sits securely and unobtrusively close to the sound source and allows the user to move freely about without having to hold a microphone in the hand or have a lavalier mic clipped on the shirt.

Product Variants

DPA 6066 headset microphone
6066
  • 3mm capsule on the most unique and flexible headset
  • Omnidirectional Subminiature Headset Microphone
  • Various Configurations and Colours Available

Enquiry Form

DPA 4466 Headset Microphone
4466
  • 5mm capsule and CORE technology
  • Omnidirectional Headset Microphone
  • Various Configurations and Colours Available

Enquiry Form

DPA 4066 Headset microphone
4066
  • 5.4mm capsule and CORE technology
  • Omnidirectional Headset Microphone
  • Various Configurations and Colours Available

Enquiry Form

DPA 4166 4266 headset microphone
4166/ 4266
  • Combines the 4066 mic with lightweight and flexible headset
  • Omnidirectional Flex Headset Microphone
  • Various Configurations and Colours Available

Enquiry Form

DPA 4488 headset microphone
4488
  • Off-axis rejection in high SPL situations
  • Directional Headset Microphone
  • Various Configurations and Colours Available

Enquiry Form

DPA 4088 headset microphone
4088
  • Industry standard headset mic with 5.4mm capsule
  • Directional Headset Microphone
  • Various Configurations and Colours Available

Enquiry Form

Headworn mics remove the disadvantage of changing colour of the sound as the head moves around. Cardioid mics are best in settings where a lot is happening, for example on some theatre stages. A cardioid microphone adds isolation to the sound source and is great at avoiding feedback on a loudspeaker-amplified set. On the other hand, cardioids are more sensitive to pop-noise (the P-sounds for example produce high plosive noise) and handling noise. In a quieter setting, or when only one person is performing, perhaps an omnidirectional microphone is preferred.

The choice of a single- or dual-ear mount headmics allows the talent to select the best version for their specific type of performance. Ear-set variants are the quickest to put on and often the best choice when miking needs to be easy. The dual-ear variant is ideal for more active situations, when secure mounting is required, as it sits snugly on the neck and is virtually invisible. Like its single-ear counterpart, it is unobtrusive and so comfortable that users forget they are wearing it. There are even in-ear headset mics that merge the mic solution with convenient in-ear communication. Earset models tend to be more comfortable and are quicker to put on and take off. DPA’s 5 mm capsule styles are small and inconspicuous, their flat capsules are slightly smaller and harder to see and their newest 3 mm capsules are the smallest of all – barely visible in many applications.

In addition, the colour that best compliments the performers’ skin tone and the correct boom length to ensure proper mic placement at the corner of the smile, are important to consider. Finally, if you need to use in-ear monitors, for broadcast or on stage, there is a range of versions available as well.

DPA Headset and Earset Microphones - Variant Downloads

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    • Allows you to move freely while performing.
    • Available as omni or directional microphones and as kits.
    • Used for TV, theatre, film production, broadcast and public speaking events.
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    • The MKE2, sub-miniature omni is for all areas of live work.
    • The HSP Headsets are industry standard.
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shure twinplex lavalier & headset microphone Shure Logo
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    • Twice the surface area of other microphones for ultra-pristine, natural response and robust low-frequency response.
    • Natural audio at high or low frequency, the innovative dual-diaphragm captures the complete weight of your voice.
    • The superhydrophobic coating keeps perspiration from upstaging the sound. And the medical-grade cable technology flexes to fit the costume design and the demanding schedule.
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