SQ-7 is the 33-fader flagship console in the SQ series, powered by Allen & Heath's revolutionary 96kHz XCVI FPGA engine. Created to excel in demanding scenarios such as AV, corporate events, live productions and houses of worship, SQ-7 offers pristine high-resolution audio quality and an ultra-low latency of <0.7ms.
The SQ-7 The console features 32 exceptional onboard mic preamps, plus 8 stereo FX engines with dedicated stereo return channels and access to the renowned RackExtra FX library. SQ is a natural choice for in-ear monitor setups, providing 12 stereo mixes (configurable as groups or auxes), whilst Automatic Mic Mixing makes it an excellent choice for conferences, panel talks and more.
SQ is driven by Allen & Heath’s 96kHz XCVI FPGA engine, delivering exceptional high-resolution audio quality, ultra-low latency of <0.7ms and variable bit depths for optimised dynamic range. XCVI is the next-generation foundation that allows SQ to handle high channel counts at 96kHz, with massive mix headroom thanks to a 96bit accumulator, and the sheer power to embed our acclaimed DEEP plugins into all 48 input channels and all mixes.
SQ’s DEEP processing architecture allows owners to hand-pick boutique compressor and preamp emulations to suit their style and needs. DEEP plugins can be embedded directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.
With no less than 12 stereo mixes and super-low latency, and both parametric and graphic EQ on every mix, SQ-7 is the perfect companion for in-ear monitoring setups. SQ’s airline-friendly compactness and rugged build quality mean there’s no reason to gamble on house monitor consoles again.
As the largest model in the SQ series, SQ-7 also packs the highest number of onboard preamps and built-in output sockets, and being SQ, everything is freely and individually patchable. There are 32 pristine XLR mic or line inputs, along with a talkback input that can serve as an extra input when needed. There are also 3 stereo line inputs that can be used as mono inputs, two using ¼” TRS jacks, and one on a 3.5mm mini jack for convenience. Any combination of direct outs, FX or Mix outputs can then be routed at will to the SQ-7’s 16 XLR, 2 TRS jack and stereo AES digital outputs.
Thanks to its SLink intelligent port, SQ-7 can be expanded up to a total of 48 mic inputs via a family of 96kHz and 48kHz rack and stage box expanders (e.g. AB168, AR2412, AR84 and DX168), making it a flexible solution for owners of other Allen & Heath digital systems. You can even connect to another SQ, Qu or dLive system for two way audio patching.
There are two essential apps for SQ – SQ MixPad for engineers and SQ4You for performers.
SQ MixPad app is available free on iOS and Android platforms, providing wireless control of the main mixing functions. This enables the engineer to mix from different listening positions, set up monitor mixes from the stage, or just add extra local control.
SQ4You is a personal mixing app to accompany SQ series mixers, allowing up to 8 performers to control their own monitor mixes from their Android or iOS devices and freeing the audio engineer to focus on the front-of-house sound.
- 96kHz FPGA processing
- 48 Input Channels
- DEEP Processing ready
- 33 Faders / 6 Layers
- 12 Stereo mixes + LR
- 3 Stereo Matrix
- 8 Stereo FX Engines + dedicated stereo returns
- 7″ capacitive touchscreen
- SLink port for remote audio / expansion
- 64ch I/O Port for audio networking
- 32×32 USB audio interface
- SQ-Drive direct recording to USB
- AES output
- Chromatic channel metering
- Integrated LED illumination
- Dedicated physical controls
- 16 Assignable SoftKeys
- 8 Assignable Soft Rotaries
- Channel LCD displays