A.C. Lighting

BRDC 2010 British Grand Prix Ball, UK, Stuart Pringle, BRDC Club Secretary

"...The Clubhouse was visible to all at Silverstone and our guests were greeted with a celebratory message which scrolled across the circuit fencing in the most incredible colours. It has become an annual traditional that those attending try and guess what the Clubhouse will look like when they come out of the marquee after dark – it’s added an exciting element to the evening as well as incredible colour to our party."

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BBC Childen In Need Appeal 2008, Television Centre

Supplied & installed by Paul Bellman & Dan Neagle, Richard Martin Lighting.

Photo © Lee Allen

UB40 Arena Tour, UK, LD Dan Hardiman

"I originally planned far more looks for the show, but the rig looked so great with the Color Web all as one big raked screen, that we lowered the front truss trim to maximise this and used this look for the majority of the show. I’m very happy with the product’s performance, it worked 100% of the time, and am really looking forward to using it again, as this application has given me lots of ideas for the future."

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Club Noxx, Belgium, Glenn Roggeman, CEO, AED RENT nv

"AED RENT nv has a reputation for investing in the latest technologies. We decided to go for the Color Web 125 after being impressed by its flexibility and overall ease of use. The ability to drive the 300 panels through 60 ethernet PSUs daisy-chained together saved us time and space, and no need to manage up to 120 DMX universes. It's been a huge hit with the Noxx club and its customers, so everyone involved is really pleased with the end result."

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Any Dream Will Do, Courtesy of Richard Martin Lighting

Photo © Phil Dent

Jazz World Stage, Glastonbury Festival, Darren Parker, MD, DPL Rental Company

"The Color Web was brilliant. Because it works as a lighting fixture we were able to trigger video content from the console and really easily colour match it with the moving lights and generics to get some great overall looks. It’s a very simple but effective solution for dressing the stage."

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Photo © Louise Stickland

Radio 1 Big Weekend Music Festival, LD Glen Johnson

"...We had 100% reliability for this weekend and it was very quick and easy to configure around the shape of the stage. It’s the ideal cross-over between lighting and video for filling in large areas, and provides a really effective end result for the cost. I wish I had thought of it!"

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Britain’s Got Talent, ITV1 TV Show, UK, Simon Deary, LED Lighting and Video Consultant

"The Color Web is very easy to work with because it's based around a lighting product, so crews don't need to be video experts to prep it. It's very flexible - removing a panel only takes two minutes so it’s not a problem if, as often happens, things change around on set. It's an effective, dynamic lighting product that uses video, but can be adaptable through DMX to be controlled through a lighting desk."

Dominic Tolfts, Set Designer

"We didn’t want to use an effects backdrop which was just another square box. In addition, because the main stage area and two smaller outer stages were a curved shape, we wanted something which we could mould around them something you couldn't do with most other LED products. The Color Web's flexible design was therefore perfect for this."

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Take That 'Shine' Music Video, Lisa Hall, Production Designer

"I’m really pleased with the end result. The Color Web was integral to achieving the high production values of the set's big look finale, and gives the impression our budget was ten times what we actually spent. It's a very versatile product."

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Photo © Polydor

Snow Patrol World Tour, LD Dave Sherwin

"The Color Web has added a really unique element to the design - the way you can light through it to create an extra effects layer between the main video and lighting."

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Photo © Louise Stickland

All Time Greatest Movie Songs, LD Mark Kenyan

"I've used the Color Web on a number of programmes now and shown it to various set design and production clients, who've all been very excited by its creative possibilities. It's a very versatile product, which I fully expect to be using on many shows in the future."

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PokerFace, ITV1 TV Show, LD Mark Kenyan

"Color Web is fantastic for the resolution. It comes out really well on camera and is very easy to hang and light. It can be easily tailored to give an item or song a different look at the touch of a button, plus its low cost compared to scenery means it can be used on almost any show, so it’s definitely found its place in the market. It’s the first time I’ve used Color Web on an expanse of this size and it seems just perfect for it."

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Human League Synth City Tour, LD Rob Sinclair

"I’m really impressed with the Color Web. It was fun experimenting with it to get the best out of it and enabled me to light the show on multiple levels, seamlessly integrating the lighting and video in a way not previously possible. The product’s affordability and modular design make it ideal for achieving a big video look on a small budget. The reaction from the band, management and fans has been great and I’m really happy with the result."

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