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Yamaha QL1 Compact Digital Mixer

Product Code YAQL1
Manufacturer Yamaha

Buy this from the A.C. Audio Online Store. Request more information or contact us now for purchasing information.

Description

The Quintessential Compact

The acclaimed CL series raised live digital mixing console performance to an unprecedented level of refinement with evolved sound quality, operability, and functionality, while maintaining the traditional values that have made Yamaha digital mixers industry standards. Core features and performance inherited directly from the CL series, including natural sound supported by sonically superb internal processing capabilities, operation that easily adapts to the demands of just about any working environment, and built-in Dante networking that facilitates flexible system configuration, have now been condensed and concentrated into the compact QL series digital mixing consoles. QL series consoles offer all-in-one mixing, processing, and routing capability for small to medium scale live sound, corporate speech events, installations, and much more.

Pure, Natural Sound Plus Powerful Built-in Processing for Broad Creative Control

The Yamaha sound begins with reproduction that is faithful to the source. QL series consoles feature circuitry and components that have been designed and selected with the utmost care, achieving outstanding audio purity from input to output. With that solid sonic foundation it becomes possible to take full advantage of built-in premium internal processors such as the Portico 5033/5043 created in cooperation with Rupert Neve, to shape and create as required. For a wide range of speech applications built-in automatic mixing functionality from Dan Dugan Sound Design provides optimum channel balance while allowing the operator to concentrate fully on optimizing the overall sound.

Refined Control for Smooth Operation

The ability to respond swiftly and surely to multiple, rapidly changing demands is essential for effective live sound support. QL series consoles feature large touch-panel displays as well as "Touch and Turn" knobs that make up a remarkably smooth, efficient control interface. Attention has also been paid to details such as fader feel and channel name display visibility in order to deliver a sophisticated overall operating experience. Remote control and offline setup capability via an iPad or computer adds even more refinement to an already state-of-the-art operating environment.

Expandable All-in-One Support for Any Application

In addition to ample analog input and output capacity, QL series consoles feature the same Dante audio networking protocol that provides broad connectivity in the CL consoles. There's also an innovative "Port to Port" feature that can patch any input port to any output port so the QL console can function as a remote I/O device for any other QL or CL series console, for example. Other flexibility enhancing features such as 2-track and multitrack recording capability, and dual MY expansion slots that allow processing capability or I/O to be added as required, make the QL consoles suitable for use as central components in an extensive variety of sound applications.

Key Features

The Yamaha sound begins with reproduction that is faithful to the source. QL series consoles feature circuitry and components that have been designed and selected with the utmost care, achieving outstanding audio purity from input to output. With that solid sonic foundation it becomes possible to take full advantage of built-in premium internal processors such as the Portico 5033/5043 created in cooperation with Rupert Neve, to shape and create as required. For a wide range of speech applications built-in automatic mixing functionality from Dan Dugan Sound Design provides optimum channel balance while allowing the operator to concentrate fully on optimizing the overall sound.

It All Begins with Natural Sound

In order to take maximum advantage of evolved processing potential to sculpt creative new soundscapes, the engineer must have uncolored, natural sound as a starting point. Yamaha's unwavering natural sound philosophy is fully implemented in the QL series, resulting in accurate reproduction that is faithful to the source.

Every Component Contributes to Superior Sonic Precision

Full creative freedom can only be achieved when the sonic foundation is accurate, uncolored, and faithful to the source. The same pure, natural sound that is a highly regarded feature of the CL series is achieved in the compact QL series consoles as well. Every detail, from mechanical construction through port location, power supply, grounding, and individual components has been painstakingly analyzed and brought together in a system that affords extraordinary audio quality. Noise that can affect digital mixer performance in a number of ways has also been thoroughly scrutinized and effectively eliminated. Because it can affect AD/ DA converter performance, system clock jitter has been subject to detailed analysis and optimized by revising the internal FPGA layout and rerouting the clock signal. All of these details combine to realize performance that not only passes the strictest scientific tests, but also satisfies the critical ears of some of the most demanding sound engineers in the business.

Keeping the Legacy Alive

When it's time to build creatively on the uncolored sonic foundation provided by the QL consoles, a selection of powerful processors is ready to refine your sound. Yamaha digital technology accurately reproduces the quality and performance of time-honored analog devices that are renowned for their musical sound, as well as speech mixing technology that revolutionized the industry with unprecedented consistency and clarity. The technology that achieves all of this reflects Yamaha's respect for the legacy of masters who have given us some of our most valued audio capabilities. It also gives today's sound engineers the support they need to create for the future.

VCM Technology and Rupert Neve

All of the processing capability that was packed into the CL series consoles is provided in the QL consoles as well. Most of those processors are based on Virtual Circuit Modeling (VCM) technology developed by "Dr. K" (Toshifumi Kunimoto) and his team at "K's lab," Yamaha's stateof-the-art digital technology research facility. VCM technology precisely models the circuitry and performance of analog audio devices, right down to the characteristics of individual components such as resistors and capacitors. VCM simulations are so realistic and musical that even the legendary Rupert Neve, a master who built his reputation on analog sound, has given it his approval and collaborated in developing VCM versions of his Portico 5033 and 5043 EQ and compressor, both provided as on-board processors in the QL consoles.

Revolutionary Dan Dugan Automatic Mixer Built In

Thanks to in-depth collaboration with Dan Dugan Sound Design, renowned Dan Dugan automatic microphone mixing with its advanced algorithms is built into the QL series consoles. Setup is easy: just insert the processor into up to 16 channels for automatically optimized microphone gain distribution. Gain control is smooth and natural, as though experienced human operators were doing the mix. The system also effectively reduces feedback and comb filter issues. For speech applications, especially non-scripted situations, this allows the operator to concentrate on details other than fader operation for consistently high-quality mixes.

More information about "Dan Dugan Automatic Mixer"

 

The ability to respond swiftly and surely to multiple, rapidly changing demands is essential for effective live sound support. QL series consoles feature large touch-panel displays as well as "Touch and Turn" knobs that make up a remarkably smooth, efficient control interface. Attention has also been paid to details such as fader feel and channel name display visibility in order to deliver a sophisticated overall operating experience. Remote control and offline setup capability via an iPad or computer adds even more refinement to an already state-of-the-art operating environment.

Refined Interface for Intuitive Control

Operators coming from analog or digital consoles will quickly become comfortable with the QL consoles. Years of accumulated knowhow and feedback from users worldwide have been applied in creating an interface that is simple while providing refined operation that responds fully to the demands of a broad spectrum of real-world applications.

Straightforward "Touch and Turn" Operation

Touch and Turn operation, introduced in the CL series, has been enthusiastically adopted by sound engineers everywhere. The QL series offers the same operational advantage: touch the parameter you want to control on the screen, then rotate the Touch and Turn knob that is below and to the right of the screen to adjust as required. The color displayed below the knob changes to match that of the selected parameter, for quick confirmation and error-free control. It's simple, responsive, and very intuitive.

The Yamaha Selected Channel System

The Yamaha Selected Channel interface provides a comprehensive overview of available channel parameters with direct selection capability via its large touch-panel display. The display is the same type that was provided on the CL series consoles, offering high visibility and smooth response for stress free operation. Hands-on control via dedicated physical controllers as well as an innovative Touch and Turn knob provides speedy access to essential QL console parameters for a fast, efficient workflow.

Advanced Features Backed by Efficient Design

You can have features galore, but if they're not well integrated into a smoothly operating system that provides easy access, their value will be greatly reduced. Design of the QL series faders and knobs extends to the finest details of form and materials. High visibility channel name displays and colors add to overall operation ease and efficiency as well. The interface is the vital connection between console and engineer, and we have treated it with appropriate care and respect.

Faders Designed for Fit, Feel, and Visual Feedback

The operator's sonic intent is conveyed to the console primarily through the faders. Inheriting the sports car bucket seat styling of the CL series faders, the QL faders provide comfortable, sure operation regardless of where you finger rests on the knob. Even the fader knob materials have been selected for optimum feel. The sides of the knobs are specially sculpted to allow the fader scale on the panel to be easily seen from just about any angle.

Selected Channel Controls for Direct, Instant Access

The main Selected Channel parameters are assigned to the knobs located to the right of the display for immediate access at any time. In addition to User Defined Keys to which parameters can be freely assigned, another traditional Yamaha digital mixing console feature, the QL consoles also have on-screen User Defined Knobs that provide the same assignable freedom for variable parameters. In combination, the User Defined Knobs and User Defined Keys can significantly enhance operation speed and efficiency.

Comprehensive Fader Bank Section

All analog inputs are assigned to one Fader Bank, while other input and output channels are accessed by switching banks. Four Custom Fader Banks are also provided, and these allow the user to set up any combination of channels required for maximum efficiency in any application. Custom Fader setups can also be stored with scenes and instantly recalled when needed.

High Visibility Channel Names and Colors

Miniature display panels above each channel fader show the channel name as well as fader setting. There's also a color bar that glows in eight colors, matching the channel colors shown in the main touch-panel display for easy visual identification. The eight colors plus "black" provide a total of nine color groupings. These high-visibility displays offer excellent legibility in bright outdoor lighting as well in dim indoor settings.

In addition to ample analog input and output capacity, QL series consoles feature the same Dante audio networking protocol that provides broad connectivity in the CL consoles. There's also an innovative "Port to Port" feature that can patch any input port to any output port so the QL console can function as a remote I/O device for any other QL or CL series console, for example. Other flexibility enhancing features such as 2-track and multitrack recording capability, and dual MY expansion slots that allow processing capability or I/O to be added as required, make the QL consoles suitable for use as central components in an extensive variety of sound applications.

Flexible Network Capability in an All-in-one Console

Network capability is essential in today's live sound applications, and the QL series offers all you need. In addition to their all-in-one capabilities, QL series consoles come with the widely implemented Dante digital audio networking protocol, developed by Audinate, as a standard feature. That means the QL consoles can be combined with other Dante capable devices, such as CL series consoles and R series I/O rack units, to flexibly create systems for applications of just about any scale or complexity.

One Console May Be All You Need

Each QL series console provides extensive built-in input and output capacity that can handle a variety of applications without the need for stage boxes or other external equipment (32 inputs and 16 outputs on the QL5, and 16 ins and 8 outs on the QL1). For many jobs all you need is one console, and that means vastly superior portability as well as speedy setup.

Superior Dante Networking Built In

Precision synchronization technology achieves low latency and low jitter as well as high sample accuracy in a network that is fast and simple to set up. Individual IDs assigned to each device on a Dante network allow automatic device detection as well as easy patching. Speedy setup leaves more time for the all-important job of setting up the mix.

Redundancy for Reliability

Cables and switches can malfunction, but with Dante's support for redundant connections a problem on the network won't stop the show. Redundant primary and secondary connections can be set up in a star network configuration so that problems in any part of the network won't interrupt the signal flow or bring the entire network down.

"Port to Port" Enhances System Versatility

"Port to Port" is a new Yamaha feature that allows QL series console inputs and outputs to be put to use as elements of a larger system, providing unprecedented capabilities for interconnecting front-of-house and monitor consoles, and much more. Gain Compensation enhances the versatility of this feature even more.

More information about "Port to Port"

 

Capable Systems with Fewer Devices

The ability to directly connect input ports to output ports without going through mixing channels provides unprecedented freedom for routing signals between the analog, Dante, and MY slot inputs and outputs. For example, a QL console could be used as an I/O device for another QL or CL series console while simultaneously functioning as a monitor console. Not only is just one QL console required for both monitor and I/O use, but analog gains can be remotely controlled from the front-of-house QL or CL console. It's also possible to mix analog signals received at the console while directly transmitting them to a multitrack recording system via Dante, for example. The possibilities are vast.

I/O Rack Sharing without Gain Complications

When sharing inputs between multiple consoles using Dante networking and Port to Port capability, gain adjustments made from one console could potentially disrupt the mix balance at another. The Gain Compensation function prevents such problems from occurring. Gain compensation is automatically applied at the digital stage so that the total gain sent out via the network remains constant.

Everything You Need for Creative Engineering

QL series console include a virtual processing rack that lets the operator approach selecting and patching internal processors in a way that's similar to working with external rack-mounted devices. All of the high-quality processors that received rave reviews in the CL series are provided in the QL series consoles as well. Top-quality sound-shaping tools for creative engineering are ready and accessible whenever they're needed.

Premium Rack

Up to eight VCM processors, including the Portico processors developed in cooperation with Rupert Neve Designs that are standards in leading recording studios throughout the world, can be mounted in the virtual rack and used to deliver the kind of performance that only high-end analog outboard processors have previously been capable of. More importantly, that studio quality and musical tonality are available for live sound applications.- Portico 5033/5043These devices immaculately model the full sonic depth and breadth of the original analog equalizer and compressor/limiter modules by Rupert Neve.

They are not only ideal for adding first-class studio-quality processor sound to your mix, but are also remarkably easy to set up for optimum effect. Merely inserting these outstanding models in the signal path can enhance the sound.- U76A studio standard that is ideal for a wide range of applications. It even features a RATIO "ALL" button that simulates the effect of engaging all of the ratio buttons on the original.- Opt-2AThis is a model of one of the most widely used optical studio compressors from the 1960's. The distinctive and highly regarded compression and release characteristics of the original are recreated with remarkable precision.- EQ-1AThe classic studio equalizer that is the basis for this model is still in demand today, highly prized for the musical response of its vacuum tube and transformer EQ circuitry, as well as its distinctive boost/cut characteristics.- Dynamic EQThis original EQ module detects level variations in specified frequency bands in real time, dynamically adjusting EQ gain to provide pinpoint compression, limiting, and de-essing. A refined interface contributes to fast, easy operation.

Effect Rack

Up to eight of the 46 available ambience effects and 8 available insert effects can be mounted in the QL virtual rack. That selection includes a number of high-end Yamaha REV-X reverb processors for sophisticated sonic control. Any of the mounted effects can be individually switched to graphic EQ operation as required.- Comp 276This model is a composite of several analog compressors that were popular in recording studios in the 70's. Anyone who is familiar with the originals will recognize the characteristic punch and fatness this device delivers.- Open DeckHere's a unique effect that models both the analog circuitry of well-known professional tape decks plus the characteristics of the tape used with them. You can simply choose a deck that offers the sound you need, or combine different recording and playback decks for a range of useful variations.- Comp 260The compressor/limiter modeled in this device was all the rage in the late 70's, featuring solid-state RMS level detection circuitry and VCAs for level control. The sonic signature of this model is unmistakable.- EQ 601For a sweet analog EQ sound, this model recreates a popular circuit topology from the 70's.

GEQ Rack

The GEQ rack is ideal for inserting graphic EQ into the output and other busses. Up to eight 31-band graphic equalizers can be mounted, and any of those can be switched for use as dual 15-band "Flex15GEQ" equalizers that can control any 15 bands selected from the 31 bands available. With eight rack slots, that allows for a maximum of 16 simultaneous EQ processors. Dan Dugan Automixer units can be inserted in the input channels via the GEQ rack, providing up to 16 channels of automix for speech applications.

2-track/Multitrack Recording and Playback

Whether you want basic 2-track recording and playback, or full-blown multitrack recording and playback capability, the QL series consoles make it easy. There's direct 2-track recording to standard USB flash drives, or serious multitrack recording to a DAW via Dante. Multitrack playback is handy for "virtual sound checks" when the musicians aren't available, and 2-track playback is for background music, and sound effects.

Convenient 2-track Recording to USB Flash Drive

A standard USB flash drive plugged into the front-panel USB port serves as media for direct 2-track recording in mp3 format. There's no need to carry external recording equipment around, and the recording can be handed to performers as soon as the show is finished, for example. Sound files in mp3, AAC, or WMA format saved on the flash drive from a computer or other source can be played back too, for convenient BGM or sound effects without the need for extra playback equipment.

Smooth Support for Multitrack Recording

The QL series consoles even make live multitrack recording easy. With Dante Virtual Soundcard software it becomes possible to transfer audio directly to a Windows or Mac computer connected to the Dante network. With an appropriate DAW such as Steinberg Nuendo Live (sold separately) running on the computer, up to 64 tracks can be recorded simultaneously. In addition to being the best way to create professional quality recordings of live performances, this capability is ideal for creating the tracks needed for virtual sound checks.

Expandable Capacity and Functionality

Console I/O and functions can be customized simply by inserting appropriate Yamaha or third-party expansion cards into the Mini-YGDAI expansion slots provided. QL series consoles feature dual Mini-YGDAI slots that can accept expansion cardsselected from a lineup of more than 30 types.

Cascade for Large Systems

Multiple QL consoles can be cascade connected via I/O cards such as the MY16-AE to create systems that offer the high channel capacities required by larger applications. QL consoles can also be cascaded to the other Yamaha digital consoles such as CL series for broad system flexibility

Lake Processing

Lake processing has become a standard for speaker processing in live sound applications, and it can easily be added to QL consoles via the MY card slots. The MY8-LAKE expansion card, developed through technical cooperation between Yamaha and Lab.gruppen, offers Mesa EQ, Ideal Graphic EQ, Linear Phase EQ, and other processing features that are capable of achieving ideal tuning in a wide variety of environments regardless of size, acoustic characteristics, or the types of speakers used. Mesa EQ with its symmetrical curve can be inserted into input channels and used for creative sound shaping as well as speaker processing. The possibilities are endless. The Lake Controller computer application can be used for central management and control of all Lake devices in the system, and it works well with Smaart acoustic measurement tools for effective overall speaker tuning.

Tight iPad and Computer Integration

With the "QL StageMix" app for iPad it is possible to mix remotely from audience seating or the performer's positions in front of floor monitors, for example. The QL5 even includes stays that will support an iPad on the left side of its panel, sleekly integrating of the iPad into the QL interface. There's also the "QL Editor" application for Windows and Mac computers, allowing console parameters to be set up via the computer, on or off line. The QL Editor is a great way to manage scene and patch list data, for example, and keyboard entry capability can be a timesaving advantage for typing channel names, etc. QL StageMix and QL Editor are great time savers, and they can be used simultaneously.

Today's Mix Data for Tomorrow's Show

Since QL and CL series mix data are compatible, data created on either type of console can be directly read and used by the other. The time and effort spent setting up mix data for one job can be carried over to other jobs. Moreover, the Yamaha Console File Converter application provides compatibility with PM5D, M7CL, and LS9 consoles as well. All the data you have carefully crafted can be put to good use in future situations.

Features Optimized for Live Sound

Although there are as many ways to use a mixing console as there are sound engineers, extensive feedback from audio professionals has made it possible to provide a feature set that is ideally suited to the real-world needs of demanding live sound applications.

300 Scene Memories

Up to 300 complete console setups can be stored as "scenes" and instantly recalled whenever needed. Scene Preview is also supported, and scenes can be individually loaded from or saved to a USB flash drive.

Versatile Input and Output Delays

Up to 1000 ms delay on input channels facilitates precise microphone phase compensation, while up to 1000 ms delay on the output ports is useful for speaker distance compensation and room tuning.

  • All channels feature 4-band parametric EQ and two dynamics processors (one dynamic processor on outputs). De-esser can also be selected for band pass type EQ.
  • 16 DCA groups allow flexible grouping of multiple input channels for simultaneous control.
  • Multiple channels can be assigned to any of 8 mute groups for instant muting or un-muting, with a new Dimmer Level function.
  • A large number of console functions including Sends on Fader, Tap Tempo, and Set by Sel can be assigned to 12 User Defined Keys for instant hands-on access.
  • Limited access to QL console functions can be provided for less experienced operators and accident prevention via multiple User Key sets that can be stored in the console itself as well as on USB memory.
  • A 5-input/5-output GPI interface allows the QL consoles to respond to input from external switches, as well as to transmit on/off status to external devices.

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Specifications

QL5 QL1 CL5 CL3 CL1
Mixing Capacity Input Mixing Channels 64 mono + 8 stereo 32 mono+ 8 stereo 72 mono + 8 stereo 64 mono + 8 stereo 48 mono + 8 stereo
Mix Buses 16 24
Matrix Buses 8 (Input to Matrix supported) 8 (Input to Matrix supported)
Stereo Bus 1 1
Mono 1 1
Cue 1 1
Local Connectors Analog Inputs 32 16 8
Analog Outputs 16 8 8
MY Slots 2 3
Dante I/O Primary / Secondary Primary / Secondary
Digital Out 1 (AES/EBU) 1 (AES/EBU)
GPI 5 in / 5 out 5 in / 5 out (CL V1.11 or later)
Word Clock I/O Yes Yes
MIDI I/O In / Out In / Out
External Redundant PSU No Optional PW800W
Meter Bridge No Output meter built-in Optional MBCL
Ethernet Yes Yes
AC Inlet V-Lock Type V-Lock Type
Scene Memory Number of Scenes 300 300
Recall Safe Yes Yes
Focus Recall Yes Yes
Fade Time Yes (0s ~ 60s) Yes (0s ~ 60s)
Preview Yes Yes (CL V1.51 or later)
Selective Load / Save Yes Yes (CL V1.7 or later)
Tactile Control Keys No (on-screen) Yes
Input Channel Functions Gain Compensation Yes Yes
Digital Gain Yes (-96dB ~ +24dB) Yes (-96dB ~ +24dB)
ATT -96dB ~ 0dB -96dB ~ 0dB
HPF 20Hz ~ 600Hz, -6 or -12dB/oct Selectable 20Hz ~ 600Hz, -6 or -12dB/oct Selectable (CL V1.51 or later)
PEQ 4 Band Full PEQ (RTA overlay support in QL V3.0 or later) 4 Band Full PEQ (RTA overlay support in CL V3.0 or later)
Dynamics 1 Gate / Ducking / Compressor / Expander Gate / Ducking / Compressor / Expander
Dynamics 2 Compressor / Compander-H / Compander-S / De-esser Compressor / Compander-H / Compander-S / De-esser
Input Delay Yes (0ms ~ 1000ms, frame delay support in QL V3.0 or later) Yes (0ms ~ 1000ms, frame delay support in CL V3.0 or later)
DCA Group 16 (Output DCA support in QL V3.0 or later) 16 (Output DCA and DCA Roll-Out support in CL V2.0 or later)
MUTE Group 8 8
Number of Inserts 2 2 (CL V2.0 or later)
Direct Out Yes Yes
Output Channel Functions PEQ 4 Band Full PEQ (RTA overlay support in QL V3.0 or later) 4 Band Full PEQ (RTA overlay support in CL V3.0 or later)
Dynamics 1 Compressor / Expander / Compander-H / Compander-S Compressor / Expander / Compander-H / Compander-S
MUTE Group 8 8
Number of Inserts 2 2 (CL V2.0 or later)
Premium Rack Number of Premium Racks 8 8
Mountable Device RND Portico5033 / RND Portico5043 / U76 / Opt-2A / EQ-1A / Dynamic EQ / Buss Comp 369 (QL V3.0 or later) RND Portico5033 / RND Portico5043 / U76 / Opt-2A / EQ-1A / Dynamic EQ / Buss Comp 369 (CL V3.0 or later)
Effect Rack Number of Effect Racks 8 8
Number of Effect Programs 54 54
Mountable Device Effect / 31BandGEQ / Flex15GEQ / 8Band PEQ (QL V3.0 or later) Effect / 31BandGEQ / Flex15GEQ / 8Band PEQ (CL V3.0 or later)
GEQ Rack Number of GEQ Racks 8 16
Mountable Device 31BandGEQ / Flex15GEQ / Dugan Automixer / 8Band PEQ (CL V3.0 or later)
(RTA overlay support in QL V3.0 or later)
31BandGEQ / Flex15GEQ / Dugan Automixer (CL V3.0 or later) / 8Band PEQ (CL V3.0 or later)
(RTA overlay support in CL V3.0 or later)
Dante Number of I/O Channels 64 in / 64 out 32 in / 32 out 64 in / 64 out
Dante Patch from Console Yes Yes
Recording USB Memory Recording Yes Yes
DVS Recording Yes (DVS bundled) Yes (DVS and Nuendo Live bundled)
Broadcast Functions 5.1 Surround Panning Yes (QL V3.0 or later) Yes (CL V3.0 or later)
Surround Monitor Yes (QL V3.0 or later) Yes (CL V3.0 or later)
Mix Minus Yes (QL V3.0 or later) Yes (CL V3.0 or later)
L-Mono / R-Mono / LR-Mono Yes (QL V3.0 or later) Yes (CL V3.0 or later)
Other Functions Port to Port Yes No
RTA Yes (QL V3.0 or later) Yes (CL V3.0 or later)
Output Port Delay Yes (0ms ~ 1000ms, frame delay support in QL V3.0) Yes (0ms ~ 1000ms, frame delay support in CL V3.0)
Cascade Yes Yes (via MY slots)
User Level Yes Yes
Help File Yes Yes (CL V1.51 or later)
Oscillator Sine Wave 1ch / Sine Wave 2ch (QL V3.0 or later) / Pink Noise / Burst Noise Sine Wave 1ch / Sine Wave 2ch (CL V3.0 or later) / Pink Noise / Burst Noise
Channel Link Yes (Output Channel Link support in QL V3.0 or later) Yes (Output Channel Link support in CL V3.0 or later)
Channel Copy/Move Yes Yes
User Interface Display 10 inch Touch Panel 10 inch Touch Panel
Centralogic Section No Yes
Faders 32 + 2 16 + 2 16 + 8 + 8 + 2 16 + 8 + 2 8 + 8+ 2
Selected Channel Encoders Gain, HPF, PEQ (controls for a selected band), Dynamics 1/2 (Threshold only), Pan Gain, HPF, PEQ (controls for 4 bands), Dynamics 1/2 (Threshold only), Pan, Mix/Matrix Sends
Channel Encoder No Yes (for Gain, Send Level, or an assigned parameter)
Channel Name / Color Display Yes Yes
Custom Fader Banks Yes (customized for all faders in a lump) Yes (customized for each fader section)
User Defined Keys 12 (x 4 banks in QL V3.0 or later) 16 (x 4 banks in CL V3.0 or later)
User Defined Knobs 4 (on-screen) 4
Touch and Turn Knob Yes Yes (using a User Defined Knob)
Monitor Level Knob Yes (on-screen) Yes
Wooden Arm Rest No Yes
iPad Stay Yes No Yes No
Rack-mounting No Yes No
Software Editor QL Editor (Win/Mac) CL Editor (Win/Mac)
StageMix QL StageMix (iPad app) CL StageMix (iPad app)
Console File Converter Yes (Win/Mac) Yes (Win/Mac)

General specifications QL5/ QL1

QL5 QL1
Sampling frequency rate Internal 44.1kHz / 48kHz 44.1kHz / 48kHz
External 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm) 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)
Signal delay Less than 2.5ms, INPUT to OMNI OUT, Fs= 48kHz Less than 2.5ms, INPUT to OMNI OUT, Fs= 48kHz
Fader 100mm motorized, Resolution=1024steps, +10dB to –138dB, –∞dB all faders 100mm motorized, Resolution=1024steps, +10dB to –138dB, –∞dB all faders
Total harmonic distortion Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, INPUT to OMNI OUT, Input Gain= Min. Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, INPUT to OMNI OUT, Input Gain= Min.
Frequency response +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, INPUT to OMNI OUT +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, INPUT to OMNI OUT
Dynamic range 112dB typ.: DA Converter / 108dB typ.: INPUT to OMNI OUT, Input Gain = Min. 112dB typ.: DA Converter / 108dB typ.: INPUT to OMNI OUT, Input Gain = Min.
Hum & noise level Equivalent input noise -128dBu typ., Equivalent Input Noise, Input Gain=Max -128dBu typ., Equivalent Input Noise, Input Gain=Max
Residual output noise -88dBu, Residual output noise, ST master off -88dBu, Residual output noise, ST master off
Crosstalk -100dB*1, adjacent INPUT/OMNI OUT channels, Input Gain = Min. -100dB*1, adjacent INPUT/OMNI OUT channels, Input Gain = Min.
Power requirements 100-240V 50/60Hz 100-240V 50/60Hz
Power consumption 200W 135W
Dimensions W 828mm(32.6in) 468mm(18.4in )
H 272mm(10.7in) 272mm(10.7in)
D 563mm(22.2in) 562mm(22.1in)
Net weight 21.8kg(48.1lb) 14.7kg(32.4lb)
Accessories Owner's Manual, dust cover, power cord, DVS license sheet Owner's Manual, power cord, DVS license sheet
Options Mini-YGDAI cards *2 , Gooseneck Lamp LA1L, Nuendo Live Rackmount kit RK1, Mini-YGDAI cards *2 , Gooseneck Lamp LA1L, Nuendo Live
Others Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃ Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃

Crosstalk@1kHz : A 22kHz, 30dB/Oct filter is used to measure crosstalk.
Total Harmonic Distortion : An 80kHz, 18dB/Oct filter is used to measure total harmonic distortion.
Hum & Noise : An A-Weight filter is used to measure hum &noise.

Analog input characteristics

Input Connectors GAIN Input
Impedance
Source
Impedance
Input level Connector
Sensitivity*¹ Nominal Max. before clip
INPUT
1-32 *6
+66dB 7.5 kΩ 50-600 Ω
Mics &
600 ΩLines
–82dBu
(61.6μV)
–62dBu
(0.616mV)
–42dBu
(6.16mV)
XLR-3-31
type
(Balanced) *2
–6dB –10dBu
(245mV)
+10dBu
(2.45V)
+30dBu
(24.5V)

*1. The sensitivity is the input level required for output at +4dBu (1.23V) or at the defined level when all the faders and level
controllers are set to the maximum value.
*2. XLR-3-31 connectors are balanced jacks (1=GND, 2=HOT, 3=COLD).
*3. 0dBu=0.775 Vrms for all specifications.
*4. All the AD converters use 24-bit linear/128-times oversampling.
*5. The INPUT connectors have +48V DC (phantom power) jacks, each of which can be turned on/off individually from the console software.
*6. QL1: INPUT1-16

Analog output characteristics

Output
Connectors
Output
Impedance
Load
Impedance
Maximum
Output
Level *5
Output Level Connector
Defined Level Maximum
Non-Clip Level
OMNI
OUT 1-16 *7
75 Ω 600 Ω
Lines
+24dB
(default)
+4dBu
(1.23V)
vt+24dBu
(12.3V)
XLR-3-32 type
(Balanced) *1
+18dB –2dBu
(616mV)
+18dBu
(6.16V)
PHONES 15 Ω 8 Ω
Phones
- 75mW *6 150mW Stereo Phone
Jack(TRS)
(Unbalanced) *2
40 Ω
Phones
- 65mW *6 150mW

*1. XLR-3-32 connectors are balanced jacks (1=GND, 2=HOT, 3=COLD).
*2. The PHONES connectors for stereo headphones are balanced jacks (Tip=LEFT, Ring=RIGHT, Sleeve= GND).
*3. 0 dBu=0.775 Vrms for all specifications.
*4. All the DA converters use 24-bit linear/128-times oversampling.
*5. The console has an internal switch for toggling the maximum output level.
*6. This is a value measured with the PHONES LEVEL knob set to 10 dB below the maximum position.
*7. QL1: OMNI OUT 1-8

Digital input/output specifications

Connectors Format Data length Level Audio Connector
Primary/Secondary Dante 24bit or 32bit 1000Base-T 64ch Input/64ch
Output@48kHz *1
EtherCON Cat5e

*1. QL1: 32ch Input/32ch Output@48kHz

Digital output specifications

Connectors Format Data length Level Connector
DIGITAL OUT AES/EBU AES/EBU Professional Use 24bit RS422 XLR-3-32 type (Balanced) *1

*1. XLR-3-32 connectors are balanced jacks (1=GND, 2=HOT, 3=COLD).

I/O SLOT (1-2) specifications

Each I/O Slot accepts a Mini-YGDAI card.
Only Slot 1 has a serial interfac

Control I/O characteristics

Connectors Format Level Connector
MIDI IN MIDI - DIN Connector 5P
OUT MIDI - DIN Connector 5P
WORDCLOCK IN - TTL/75 Ω terminated BNC Connector
OUT - TTL/75 Ω BNC Connector
GPI (5IN/5OUT) - - D Sub Connector 15P(Female) *1
NETWORK IEEE802.3 10BASE-T/100Base-TX RJ-45
LAMP (QL5: x 2, QL1: x 1) - 0V-12V XLR-4-31 type *2
USB HOST USB 2.0 - USB A Connector (Female)
*1. Input pin: TTL level, w/ internal pull-up (47kΩ) Output pin: Open drain output (Vmax=12V, maximum sink current/pin=-75mA) Power supply pin: Output voltage Vp=5V, Max. output current=300mA
*2. 4 pin=+12V, 3 pin=GND, Lamp nominal power: 5W, Brightness (voltage) can be adjusted from the software.

 

Video

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