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Midas PRO X CC IP Live Digital Console Control Centre

Product Code MIPROX-CC-IP
Manufacturer Midas

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Description

Live performance digital console control centre with up to 168 simultaneous inputs

99 time-aligned and phase-coherent mix buses

HyperMAC and AES50 networking allows up to 288 inputs and 294 outputs @ 96 kHz Sample Rate

HyperMAC router with 192 bidirectional channels over copper and optical fibre

Provides dual redundant snake connection to the NEUTRON Audio System Engine

Snake connections up to 500 m with optical fibre or 100 m with CAT5/5e cable

10 VCA (variable control association) and 8 POPulation groups

Up to 36 assignable 1⁄3 octave KLARK TEKNIK DN370 graphic equalisers

Up to 24 simultaneous internal multi-channel effects

29 MIDAS PRO motorised 100 mm faders

2 daylight viewable 15" full colour TFT display screens

Fully interpolated touch sensitive controls

Optional wireless remote control with MIDAS MIXTENDER App for iPad*

Three bay auto-ranging universal switch-mode power supply with N+1 redundancy

3-Year Warranty Program**

Designed and engineered in England

The PRO Series family moves up a gear with the PRO X control centre and the industry-changing NEUTRON Audio System Engine. Featuring 168 simultaneous input channels and 99 time-aligned and phase coherent buses, the PRO X is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability. True and consistent 96 kHz sampling frequency and 40 bit floating point processing provide exemplary audio processing, and the oversampled digital signal processing algorithms, combined with the fully interpolated and touch sensitive user controls, result in the smooth continuous response and immediacy of working on an analogue console. Parameter adjustment becomes fast and easy, and the continuous phase shift of a swept frequency control is heard without the quantisation effects exhibited by competing digital consoles.

Specifications

SuperMAC (AES50-Compliant) and HyperMAC from KLARK TEKNIK simultaneously provide high channel counts, ultra low deterministic latencies, accurate phase-aligned networked clock distribution, error detection, network redundancy, and ease of deployment and use – to meet the needs of the live performance concert sound industry.

 

This unique combination is also ideal for managing applications such as studio recording and post-production, studio and outside broadcast and audio routing infrastructure.

- Single cable duplex interconnection for audio and sample clocks

- Ethernet physical layer audio data transmission

- High channel count and ultra-low deterministic latency

- Accurate phase-aligned clock distribution.

- Comprehensive error detection and management

- Provision for redundant networking

- Minimal configuration – total ease of deployment and use

- Ethernet TCP/IP protocol-compatible auxiliary data channel

- OEM modules available from developer partners

- SuperMAC offers:

- 48 bidirectional audio channels over Cat 5/Cat 5e cable (48 kHz)

- 24 bidirectional audio channels over Cat 5/Cat 5e cable (96 kHz)

- HyperMAC offers:

- 192 bidirectional audio channels over Cat 5e/Cat 6 cable, or

- 50/125 μm multimode optical fibre (96 kHz)

 

The PRO X has dual-redundant control computer and three removable power supplies, only two of which are required for full operation. The power supplies, which are interchangeable with the PSUs in the NEUTRON Engine, are auto-voltage sensing, auto-switchover, and are fitted with locking AC connectors. No other console goes further at setting your mind at ease. This means that during a show the user can focus on what is most important – and treat the audience to a flawless sonic experience.

The PRO X also has dual-redundant HyperMAC ports (both Cat 5e and Optical), which provide the digital equivalent of a 384-way (192 in / 192 out) multi-core between the stage and FOH, up to 500 m.

Just like all PRO Series systems, the PRO X provides comprehensive, automatic latency management of all internal routing and processing latency – and also includes compensation for external analogue inserts. All audio samples are synchronised before summing, resulting in absolute phase coherence at the outputs, without the “comb filtering” effects of competing products that often result in specific frequencies being cancelled out completely. The PRO X can simultaneously process up to 24 internal multichannel FX and NEUTRON's 40 bit floating-point audio processing hosts a wide choice of virtual FX devices, which range from dual-mono delay units, stereo modulation and many diverse reverb FX, multiband compression, dynamic EQ and multichannel dual-function dynamics processing. Up to 36 1/3 octave KLARK TEKNIK DN370 Graphic Equalisers (GEQs) are provided, which can be patched into any output.

Equipment available to buy from this site is for professional use only. Please note in certain countries some products listed may not be available from A.C. Entertainment Technologies Ltd.

E&OE. Information is subject to change without notice. The rights and ownership of all trademarks are recognised.

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